Diamond Tongues Review – Chicago Scene

"As much as I appreciate the bluesy style that July Talk brings to the Toronto alternative rock scene, I’m now convinced that it wouldn’t be the end of the world if they were to go on indefinite hiatus tomorrow. If for nothing else, it would mean that Leah Goldstein could continue her acting career. Diamond Tongues gives her an opportunity to showcase her talents outside of music, and she absolutely knocks it out of the park..."

2017-07-06T19:49:20+00:00April 2, 2016|Diamond Tongues|

Filmmaker Magazine: Q&A on Diamond Tongues, working with Tim Heidecker, and shooting quickly in Toronto

A Q&A with Filmmaker Magazine on the eve of Diamond Tongues' US theatrical release. This Q&A was conducted via e-mail during the production of SUNDOWNERS in Colombia.

2017-07-06T19:48:43+00:00February 19, 2016|Diamond Tongues, Sundowners|

Diamond Tongues Review – The New York Times

“DIAMOND TONGUES, an alternately sweet and slashing microbudget comedy from Canada, makes a great vehicle for Leah Goldstein, a musician and performance artist appearing in her first movie. As Edith, an aspiring actress who seems blind to her deficits and personal flaws, Ms. Goldstein gives a performance that requires her to swing between disarming and loathsome. She demonstrates impressive skill in slowly peeling away her character’s charm..."

2018-06-21T22:01:58+00:00February 19, 2016|Diamond Tongues|

Diamond Tongues Review – National Post

"As much as anything, this is a film that has heard every excuse about why life isn’t working out quite the way you want, been told all the just-so stories of the clever and talented whom the world has failed to recognize. Even if you’re right about the world, Diamond Tongues seems to be saying you still have to find a way to live in it. The saving grace is that trying is all that is necessary..."

2017-07-06T20:01:32+00:00August 7, 2015|Diamond Tongues|

Diamond Tongues Review – The Globe & Mail

"Goldstein...is excellent in the role, rendering Edith’s monstrous ambition with relatable (and frequently terrifying) conviction. At bars and parties, Edith mingles with more successful peers as jealousy begins to manifest itself, sociopathically, as sabotage. The result suggests All About Eve by way of The King of Comedy: contempt and envy reign and the threat of disaster closely follows..."

2017-07-06T20:15:30+00:00August 7, 2015|Diamond Tongues|

Diamond Tongues Review – Toronto Sun

"This could be the springboard for a Hollywood story about an indefatigable optimist who finally finds herself, an ultimately feel-good movie wrapped around its charismatic lead. But it isn’t. Diamond Tongues has been reviewed at hipster meccas like Slamdance as a kind of indie/millennial All About Eve – mostly because Edith isn’t very nice behind her smile, and she actively sabotages other people’s careers, including that of her best friend..."

2017-07-06T20:22:39+00:00August 6, 2015|Diamond Tongues|

Diamond Tongues Review – Consequence of Sound

"Edith responds to this by embarking on a listless downward spiral, leaving terrible reviews for her frenemies online, masturbating to fantasies of being massively famous, and generally failing to get her demo reel or her shit together. Shot almost entirely in shaky close-ups that capture the claustrophobic quality of Toronto’s art scene (I live on the outskirts of said scene, I can vouch for the verisimilitude), it’s perversely fascinating to watch, and it’s a testament to filmmakers Pavan Moondi and Brian Robertson’s script and Goldstein’s completely un-self-conscious performance that Edith never once tempts the viewer’s pity or schadenfreude..."

2017-07-06T20:26:37+00:00June 22, 2015|Diamond Tongues|

Diamond Tongues Review – Hollywood Reporter

"Indie films usually depict aspiring actors in such noble terms that it's refreshing to encounter Diamond Tongues, about a struggling actress who's as unlikeable as she is compelling. Pavan Moondi and Brian Robertson's feature which recently received its world premiere at the Slamdance Film Festival resembles a modern-day All About Eve in its portrait of its lead character Edith Welland (Leah Goldstein), who descends into a downward spiral of destructive behavior, directed at both herself and others, in her desperate attempt to make it in an unforgiving industry..."

2017-07-06T20:28:48+00:00February 24, 2015|Diamond Tongues|

Diamond Tongues Review – indieWIRE

"[This] Toronto-set drama intrigues by how unlikeable they are willing to make Edith. While indie cinema has no shortage of protagonists that are relentless assholes (see last year’s “Listen Up, Philip”), rarely are they women, and even more, it’s not often they are as complexly drawn as Edith....“Diamond Tongues” isn’t your standard movie about making it, instead, it’s about what happens when everyone else does and you’re left behind..."

2017-07-06T20:30:57+00:00January 29, 2015|Diamond Tongues|
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